Babygirl

Romy has a lot on her plate. She’s running a big company in New York while trying to juggle life as a mom and wife. Her husband, Jacob, is nothing like her. He’s a creative theater director, completely wrapped up in his artistic world, far away from the fast-paced corporate life Romy leads. Their marriage seems fine on the surface, but for Romy, something’s missing. Especially when it comes to intimacy.

That’s where Samuel comes in. He’s a young intern at her office who picks up on all the little things Jacob doesn’t. Before long, the two of them are caught up in a risky, intense affair—one that’s all about testing boundaries and power dynamics.

Meanwhile behind the scenes, there’s Reijn dipping toes into American cinema with that comedy “Bodies Bodies Bodies,” catching the eye of Nicole Kidman which led to some collaboration magic. Kidman throws herself into the role of Romy, really digging into these complex layers showing off her fearless acting skills.

Romy knows she’s walking a tightrope—her fling with Samuel could blow up both her career and family life. It’s got this satirical twist sprinkled throughout thanks to great performances from Antonio Banderas as her husband and their two daughters.

She’s exploring new sides to herself through this intense affair; stepping out from always being the one in charge every day opens up a new wild world for her—where control isn’t necessarily hers—and it’s refreshingly different yet not uncommon. That’s where things start to get seriously interesting.

Okay, here’s what I got for you:

Romy’s backstory is sprinkled with little hints from her childhood, but honestly, it feels a bit extra. I mean, these days everyone’s kinda cool with kink anyway, right? Still, the heart of the story really shines through in how it explores the ups and downs of Romy’s relationships. It digs deep into honest and raw moments that you don’t usually get in stories like this.

The writing feels super genuine. It’s all about figuring out relationships in real time, dealing with awkwardness, and just going through all those silly yet relatable bumps along the way. There’s so much unpredictability that makes you really feel for their journey.

Harris Dickinson brings something interesting to the table too. Even though he’s early in his career, he already stands out as a huge talent. His character embodies a modern masculinity – someone who’s mindful about consent but isn’t afraid to mess around with gender stereotypes and expectations. He’s great at showing how messy things get when old ideas clash with new roles.

So basically, this movie’s kind of an erotic thriller trying to find its groove in today’s world. It comes at it from a unique angle (thanks to its Dutch director flipping American norms on their head), with a cheeky twist that’s not trying too hard to thrill but rather just be entertaining and kinda funny!
It doesn’t go overboard with silliness or cheesiness, but adds a clever twist to the typical genre. There’s a bit of tongue-in-cheek humor mixed in, with scenes that feel like they’re playing around with fiction in a fun way.